Woodwind Duets

Although the majority of his compositions are for solo guitar, Coste's friendship with several of the most prominent oboists in Paris resulted in a number of works for the oboe. The Caprice for Two

Kubik composed his Divertimento No. 2 in the late 1950s, completing it in 1958. The work is scored for a diverse ensemble of eight instruments: flute, oboe, clarinet, bassoon, trumpet, trombone,

The Duo for English horn and Alto Saxophone dates from 1938 during Heiden' s years in Detroit. The holograph does not bear any dedication, but it safe to assume that he wrote the two-movement work

Five Arias from "Magnificat" BWV 243 by Johann Sebastian Bach (1685-1750) I. Ex Exultavit Spiritus meus II. Quia respexit humilitatem III. Quia fecit mihi magna IV. Deposuit potentes de sede V.

Composer’s Notes:

I have a special friend Jill (a retired French teacher) who bought herself a bassoon with the intent to learn to play. I decided to write a short piece for her. It was so

In 1950 Hovhaness composed Manko, a suite of fourteen pieces for oboe and bassoon. Ten of these are duets, six of which were published as part of the Suite for Oboe and Bassoon in 1968.

Henderson composed his Four Duets to play with his students. They are a welcome addition to the repertoire, utilizing a twentieth-century harmonic language somewhat reminiscent of the "dissonant

My intention in writing Impressions was to present to both the audience and the performers short and simple character pieces, each leaving very contrasting mental images of people, places, or

Though my training as a musician and a composer is firmly rooted in western art music, more specifically within an American collegiate environment, a lot of my inspiration and musical influences come from

This collection of original duet compositions can be played by two saxophones or two oboes. Written for beginning students, the pieces range from Grade 1 to Grade 3 and cover a variety of different modes in

Storytime Suite is loosely based on a traditional dance suite. This piece fuses together modal and folk-like melodies, modem chromaticism, and the playfulness of the bassoon and flute

Sydney Twinn was an English violinist, composer and music educator, best known for his Playing at Sight for Violinists and Others in an Orchestra. He arranged an enormous amount of British music in